By Ally Heatherly

Cosumnes River College’s production of “Urinetown the Musical,” directed by Ryan Perez Adame, is a satirical triumph, blending biting social commentary with lively performances. 

Adame’s sharp direction embraces the absurdity of its premise — a town where residents must pay to use public toilets — with a wink and a nudge, making the dystopian comedy feel alarmingly relevant. The production runs through Sunday, Nov. 24.

The cast shines under the spotlight, delivering standout performances that balance caricature with depth. Peter DeMarzio, as protagonist Bobby Strong, brings an everyman charm that anchors the show’s chaotic energy. His vocal range dazzles throughout. Opposite him, Jaelynn Carr, as Hope Cladwell, delivers a pitch-perfect mix of earnestness and growing conviction. Her comedic timing is a perfect counterbalance to DeMarzio’s grounded performance.

As the corrupt corporate overlord Caldwell B. Cladwell, Sevryn Michael revels in villainy. Their commanding presence is matched by a vocal strength that adds polish to the production. Jianna Eugenio, as Penelope Pennywise, brings a brash and commanding stage presence, combining sardonic humor with surprising emotional depth, particularly in her solo moments. 

The ensemble injects infectious energy into the show’s biggest numbers, especially during the rousing “Run, Freedom, Run!” Their synchronized movement and harmonies highlight the group’s cohesion and talent.

The production’s design elements enhance its satirical edge. The set, designed by Tricia Tecson, juxtaposes industrial grittiness with exaggerated elements that underscore the story’s absurdity. Cary Babka’s lighting and projection designs add visual flair, creating defined spaces within the playing area. Costumes by Mari Carson further enrich the storytelling, cleverly delineating the social strata within the world of “Urinetown” and emphasizing the divide between the elite and the oppressed.

Musically, the production thrives under the guidance of Graham Sobelman. Under his direction, the cast delivers dynamic, tight vocal performances that complement the show’s eclectic score, which ranges from gospel-inspired anthems to daring pastiches of Broadway classics. Both the core cast and ensemble members shine, resulting in one of the most polished musical theater performances in recent memory.

CRC River Stage’s “Urinetown” strikes a delicate balance between entertainment and critique, staying true to its satirical roots while delivering a thoroughly enjoyable experience. Notably, River Stage offers a pay-what-you-can pricing model, making theater performances accessible to all. 

Combined with top-notch production values and student talent, River Stage is a company worth adding to any theater enthusiast’s rotation. For audiences seeking humor, thought-provoking themes, and a showcase of local talent, this production is a privilege to see.

This story was funded by the City of Sacramento’s Arts and Creative Economy Journalism Grant to Solving Sacramento. Following our journalism code of ethics and protocols, the city had no editorial influence over this story and no city official reviewed this story before it was published. Our partners include California Groundbreakers, Capital Public Radio, Outword, Russian America Media, Sacramento Business Journal, Sacramento News & Review, Sacramento Observer and Univision 19. Sign up for our “Sac Art Pulse” newsletter here.