By Louise Peterkin
Not entomology, nor some god-aping
yen for a menagerie to bend to my will
but for the blood, the lifeblood sir! It flows
through the strata of the littlest things.
I was precious
at first, reticent. So when a bee marred
itself in a clumsy descent from the window
I let it curl for days like a dried flower
before I sampled. I smiled:
it tasted liverish, autumnal.
I dusted the sill with sugar for a fly
I blackened the sill with flies for a spider
The spider would tempt down a bird
But I was impatient; I indulged.
I rattled a flea to my ear
then popped it in my mouth like a pill.
My fingers took on the tang of a bell,
faint arcs of gore under each nail
as if I had been playing a black pudding piano.
Small viscera
hung from my gums like a piñata.
I needed self-control if I wanted the sparrows!
I began once again to propagate.
Until the day the doctor entered my cell
to find the air and my hair full of birds.
And what he conveyed, not so much in words
but a sharpening glint in his eyes was a sort of . . .
respect. I wouldn’t say awe. No, not just yet.
“Renfield” is a selection from Louise Peterkin’s collection ‘The Night Jar,’ published by Salt.
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